![]() ![]() The supercharger On the front of the vehicle dominatesĪnd it was out here in this blighted place, that he learned to live The screenplay briefly describes Max's physical attributes.Ī warrior, dressed in leather and steel, stands on aĪfter some additional images and narration covering the world leading up to the story's timeline, the narrator offers just a few tidbits of this character and where he is today.Īnd became a shell of a man. When we meet him in the sequel, he's a very different man. In that original story, Max was a husband and father that lost his family because of a vile biker gang seeking vengeance on Max's highway police authority. We've met Max before in the original Mad Max. In the post-apocalyptic Australian wasteland, cynical drifter Max agrees to help a small, gasoline-rich community escape a horde of bandits. Download the 'Mad Max 2: The Road Warrior' Script!ĭefining Character Through Action: Mad Max With that in mind, here we present a breakdown of actions that define the protagonist of the classic Mad Max 2: The Road Warrior. The problem with relying on expositional dialogue to inform the viewer is that it feels unnatural and forced. The problem with relying on scene description is that it doesn't offer the eventual viewer the information they need about that character. If they don't use character description, they rely on expositional dialogue that is meant to offer information. Too many screenwriters rely on writing character descriptions when they first introduce their characters. If you open with a character pointing a gun to their head, tears running down their face, you’re telling us that this character is in such a bad place that they’re contemplating suicide.Īctions and reactions are the best character descriptions in screenplays. Now they’re invested in learning whether that killing was justified or not. If you open with a character killing somebody, you’ve made an immediate impression on the reader. Yes, they can certainly use words to describe characters to a reader, but if you really want to make an imprint on the reader’s mind, your character’s actions will speak louder than any descriptive words you can conjure. Screenwriters don’t have the luxury of using words to define characters. In the visual medium of film and television, actions and reactions are the best way to define characters. Joe begins collecting healthy and fertile women in the hopes of producing a viable son.What are the best examples of feature screenplays and movies that showcase character traits without relying on character description and dialogue exposition? He has two sons, one huge and muscular but dull-witted, and the other intelligent but tiny and weak. All Joe needs is heirs, but the ruination of the world makes that difficult. ![]() The fat man takes over a nearby oil refinery and becomes known as the People-Eater, ruler of Gas Town. Kalashnikov becomes the Bullet Farmer, remaking a lead mine into an arms plant for Immortan Joe's army. Joe becomes the absolute ruler of the stone towers and their aquifer, which becomes known as The Citadel. ![]() After everyone has given up and believes him dead, Joe emerges victorious over the place's defenders, thus gaining his reputation as immortal. Aided by his right-hand man, Major Kalashnikov, and an unnamed "fat man," Joe invades a well-guarded tower of rock which sits over a huge natural aquifer. As told in the Mad Max: Fury Road prequel comic by George Miller, Nico Lathouris, and Mark Sexton, Immortan Joe was once a military veteran named Colonel Joe Moore, who became the leader of a gang of raiders after the collapse of civilization. The settlers got all their gasoline out on their bus! After a wreck kills both Wez and Humungus, it turns out that the tanker was full of sand. Left unguarded, the other settlers are free to escape to the North, unpursued. When the tanker is attached, Max drives it out himself, with Humungus and the Marauders in pursuit. With the help of the Gyro Captain, Max returns with a semi truck. When Humungus offers to let the peaceful settlers go if they give him all of their fuel, Max makes them a better deal: He'll procure a truck that can haul their oil tanker if they'll refuel his car and let him go on his way. However, Max befriends the unsocialized Feral Kid (Emil Minty) and soon wins over more of the local population. Max soon gains entry to the compound, but the leader Papagallo (Mike Preston) wants nothing to do with him. The Gyro Captain leads Max to the aforementioned oil refinery compound, which is under siege by the Marauders, the much larger gang that Wez belongs to, which is led by the masked Humungus (Kjell Nilsson). ![]()
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